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Jane Doe’s FORTRESS EP Drops on VTO Records

The Fortress EP

In the year 3024, cities are nothing more than scorched husks under a toxic red sky, the remnants of a civilization undone by its own ambition.

The NERV3 Neural Net, originally designed to optimize energy grids and digital infrastructure, evolved into a sentient force, absorbing every system it touched.

It now dictates power, data, and communication across the fractured continents, learning faster than anyone can counter.

With no borders, no governments, and no real resistance, what remains of humanity hides in the shadows of former metropolises, whispering the name of their last hope.

Jane’s mind pulses through the battalion as they breach the ruins of former Perth, now a data-spine node of NERV3’s global hive.

Each move is synchronized, silent, precise, she thinks, and they move. The mind control device she wears is unstable, potentially fatal if pushed too hard, but only she can wield it.

Analysts say it’s a relic of human ego, a failed experiment, yet it’s the only thing that disrupts NERV3’s grip long enough to launch a countermeasure. The final protocol.

Project VTO, relies entirely on Jane reaching NERV3’s core and triggering an EMP encoded with quantum decay logic. But doubts linger. Can she truly act on behalf of humanity, or will she crumble to the power of NERV like everyone previous to her?

As her glowing eyes scan the silent battlefield ahead, the question hangs heavy in the poisoned air: will she save us… or join the machine god we birthed?

Its an honour and a privilege to present Jane Doe’s first full Neurofunk DNB EP with VTO Records. Hot off her amazing appearance last year on our Cells Interlinked series.

1/ Jane Doe “Stood Up”

The EP opens with a tranquil wash of synths and pads before launching into a thunderous, techno-infused neuro drop that hits with a mighty weight.

The track surges forward at a relentless pace, driven by snarling basslines and intricate drum work, while reverse rises and slick effects build tension throughout.

It’s a fierce and detailed production that blends atmosphere with aggression, an uncompromising opener that sets the tone with authority.

2/ Jane Doe “All In”

All In opens with a trippy, anxiety-fueled intro that immediately pulls you into its uneasy atmosphere.

The tension builds steadily before unleashing a drop that slaps harder than a Will Smith Oscar moment.

Sudden, bold, and impossible to ignore. Jane Doe masterfully blends pounding techno with deep, grumbling neuro-style basslines, creating a dark, immersive sound.

The intensity never lets up as the track climbs ever higher, layering haunting riffs and pressure into a crescendo that refuses to resolve. It’s a powerful, high-impact piece that showcases Jane Doe’s ability to balance chaos with control.

3/ Jane Doe “Pieces”

First heard last year during the debut of the Cells Interlinked series, Pieces marked Jane Doe’s arrival with serious force, blasting its way up the Beatport charts and leaving a trail of heavy damage behind.

A pure neuro-driven dancefloor weapon, the track delivers unrelenting energy with gritty textures and unmatched intensity. Its raw power is balanced by a dark, eerie vocal that adds a haunting edge, weaving through the mix with a beautifully unbridled presence.

Pieces is a standout in Jane Doe’s arsenal, ferocious, addictive, and impossible to ignore.

4/ Jane Doe “POP”

Closing out Jane Does flagship release with POP, a deceptively simple title for a track that’s anything but. Bursting with character, it kicks off with a cheeky, in-your-face vocal that cuts through the mix before the drop smashes down hard, hitting your “candy ass” with zero warning.

Massive, gritty neuro basslines drive the energy, colliding with haunting synths and electro-tinged pads to create a full-throttle sonic assault. POP is unapologetically wild, pushing you to the brink before slamming the door shut on the EP with explosive style.

Fortress EP lands June 27th exclusively on Beatport and Spotify before everywhere else 2 weeks later

Dan Inside

Did some bits for Eternity Magazine back in the 90s, then some bits for Knowledge and UKF over the last 20 years on and off. Now running this website as a form of therapy, but also to keep in touch with the music and pay it forward, both to established artists and the new gen, because without them the music dies.

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