Artist Profile – Ark-Hive (4th Sun Alliance) – (UK)
Ark-Hive first fell in love with the ambient, ethereal sounds that would drift through theatres, paired with strange and unique lighting. That was back when everything was still normal. That fascination, combined with habits of tinkering with old machinery and listening closely to the curious noises made by forgotten artifacts, led to the discovery and recording of audible patterns and rhythms. What began as a personal curiosity gradually evolved into something resembling synthwave, then techno and drum and bass.
Driven by this passion, Ark-Hive eventually found the rare opportunity to re-create and reintroduce music once thought lost to the old world – sounds that would otherwise remain buried and forgotten. It seems that the long-abandoned Silver City Archives (SCA) serves as their unofficial residence. Rumoured to hold a trove of confiscated creative works from the bygone eras, it has become both sanctuary and studio.
Within these ruins, Ark-Hive sifts through banks of decaying data and forbidden histories, focusing primarily on unearthing and re-publishing styles rooted in old-world electronic music. Yet the frequent broadcasts from the SCA are far from confined to these dusty files. Re-imagined and reinterpreted versions of the classic sounds continue to emerge, along with entirely new hybrids born from them.
The main setup responsible is modest, but effective. Three mismatched salvaged belt-drive turntables – KAM BDX100, Ministry of Sound MOSTT1000, and Stanton T.52, complete with Gemini and Concord needles, allow for blending old vinyl.
A Numark Party Mix MKII DJ controller handles digital mixing. Audio is pumped through Mackie CR4X monitors paired with a CR8-SBT subwoofer. A Shure SM58 mic is used for dynamic vocals, while a Fender Squier Strat electric guitar and Harlem 4 Bass provide analogue textures. Everything runs through a humble AMD processor and a curved Samsung monitor.
The SCA label itself emerged organically through Ark-Hive’s rediscovery of music hidden deep within the data vaults of its namesake. The label is dedicated exclusively to works recovered and reissued by Ark-Hive, who demands that full credit is given to the long-lost original creators of each piece.
Current artists featured under Ark-Hive’s SCA banner include:
Pain Palace
Apocalypse Party
4th Sun Alliance
Goryeo Joseon Survival Club
The Divine Underground
Sub-Levels Night Cafe
FREE DOWNLOAD LINK!!
This mysterious figure of a man first approached me via digital means some time ago. Maybe even a couple of Eons, and I kept the name on the back burner, tucked away nicely for a future endevour.
That endevour was INSIDE DNB MUSIC, the cherry on the top of the inter galactic masterplan, and something I’ve dreamed of since the age of 18. Maybe even before. And that DOES seem like Eons ago!
Anyway, after much conversing and some idea swapping, we came up with the idea of sharing this gut crunching piece of post modern, break driven tech step with the world. Stopping off for a spot of deep spatial manipulation with James from Sola, and coming back out with something crisp and powerful, we proudly offer you INSIDE DNB MUSIC #02, the second of a set of four FREE DOWNLOADS to help set the tone of the INSIDE DNB MUSIC project, and to let the world know that we are not afraid to (and never will be) share music that is passionate and non-conformist as well as in-line and current.
So what about the man (or is it half man/half machine?) that takes up the physical space occupied by Ark-Hive? Naturally, we wanted to know a little bit about the creature behind the concept!
I love your take on what is real, and the actual concept of realism. I mean, what is YOUR actual concept of the word REAL?
Good question. For me it’s like this… “I” seem to be present, talking to “you”. But what is that? Does that exist elsewhere, or just here, for you and me – and am I me and you really you? Or are we the same? Who says?
Reality isn’t a single thing, but a delicate balance between what seems to be, what we feel, and what we agree to believe. It’s a tapestry woven from chaos and patterns, shaped by observations and bound by invisible rules.
I am sure I’ve died a thousand times. Countless times. But I have no recollection of such, at least not just yet. And so, whatever I’m experiencing now, is real only in that sense – that I am experiencing something.
I once had a tremendous journey, aided by “an altered state of consciousness”. I journeyed for no less than a thousand years. Truly. And when I came “back” I saw strange things such as a stream of water turning to brick. The brickwork still exists today. You might say “it was always there” and I would say “I saw it made”. Because of these valid differences in experience, I believe it’s important for us to be kind to ourselves and to each other and to respect what we each believe to be “real”, because the common idea of a shared reality is not so common for all.
You have a deep love (like many of us reading this) of discovering music. Tell us a bit about the depth and range of the music you listen too, and what a typical journey through a genre looks like?
Music has been my escape through the darkest of times and the number one method I’ve learned to express myself, whatever that “self” is. Without music I really cannot imagine what this experience would be like. It’s impossible for me to hear anything without some pattern. I first learned this when running one time when I was completely out of breath, entirely drained. My footsteps echoed around me and my heartbeat thumped in my head.
It was there that I discovered the power of trance-like shamanic drumbeats and how patterns in nature can evoke a tremendous energy in us animals that we might otherwise never learn to appreciate. I hear these beats at the core of most music, which is why I can appreciate any style, with maximum respect to the energy given out by the producer. If a piece of music is without a beat, I imagine one filling that space, almost like the music is communicating with me.
You’re also a fan of non-fiction mystical texts. Being based in Wales, I have discovered much about the Mabinogion, but there are presumably works like this from all over the world spanning the annals of time. Is this the type of thing you mean?
Wow, yes. The Mabinogion. I know of this ancient treasure and am equally fascinated by it as I am with many others concerning similar topics covered within. I have always been drawn towards the ancient tales of us, who we are and where we came from, and I believe there are a lot of truths shrouded in mystery in such books. Wales is such a remarkable place too, often regarded as the last of the true Britons, as far as I understand. Their unrivalled magic and wisdom have held my attention for longer than I can recall.
I feel a strong and strange affinity there. Of equal interest to me, without mentioning the much deeper and darker texts on my bookshelves, are the Vedas and other religious texts. Again, I feel there are truths hidden within, misunderstood and lost to ego over time.
The cold weather is something you enjoy. I’m with you on this one, provided I’m well wrapped up of course. There is something incredibly refreshing about it, and life affirming. I thought the Wim Hof work, while jazzed up for the TV, was really inspirational. Are we likely to see you in a cold bath in the great outdoors this winter?
Wrapped up is good. We should enjoy what we want to how we feel most comfortable. And yes, I agree. The core teachings of WH are incredible but far older than we give credit for today. I suppose TV must try and make these things attractive to gain traction.
For me though, the simplicity of icy wind, icy water piercing my skin like daggers reminds me that I’m alive and that everything is working well and beyond. The natural high I derive from being so close to this strange state of discomfort is invigorating for me, and I spend as much time there as I can.

