1994 – The Birth Of Jungle

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Crikey. 1994. The year that ‘jungle’ as a musical style in its purest form came to exist. That is, no hardcore elements, no pianos, little or no influence from any where else in the world except the UK and Jamaica, highly edited drum patterns, bass that turned your head inside out, a foundation of two complex yet simple elements (drum and bass) and a very distinct separation from the emerging happy hardcore scene that came to be known forever more as ‘the split’. 

The beautiful thing about 1994 was that it waved a flag at producers and DJs that kind of said ‘come on then, if you think your ‘ard enough’. It presented a challenge to throw down the hardest of beats and the tuffest of basslines that goaded the next person to do it better and harder and deeper in a way that mirrored dancehall culture of the 60s. And they did just that. DJs cut one off acetate dubplates straight from DAT tapes, passed on by fellow DJs and producers, in a bid to outdo rival DJs stepping up into the booth.

The Amen break (see The WinstonsAmen Brother in our Breakbeat Origins section) break among others came to symbolise the sound of the entire movement, and the first seeds of ‘choppage‘ were sown this year, that is, the intense manipulation of the breakbeat in as shorter space as possible, in order to make a piece of music within a piece of music from drums alone. Track 4 is the perfect introduction to this. Pop back into 1989 after this section and see how far it had come in 5 short years!

As ever, we are presenting some stone cold classics, some lesser known beauties and some tracks that no self respecting website would ever consider missing out. We’ve decided to open up a separate section for the emerging intelligent drum and bass sound, as for us, this is where drum and bass a musical entity started to exist. It was when the breaks dropped out of jungle that it too became drum and bass, and then intelligent drum and bass became liquid. Confusing, eh? Just our take on it. You might feel differently. Also as ever, this is a springboard into deeper territory and NOT a best of or best sellers run down. You want more? It’s all out there. You just have to find it.

Renegade - Terrorist
1.Renegade - Terrorist. Everybody has their own opinions and those looking at this list will have theirs, but I don't think many would dispute our choice to kick off this list. Ray Keith was no stranger to the production desk by this time, but boy, when this thing first emerged it spun the scene on its head. Dark, angry, destructive even, this track smashed everything in its path and if you ever get the chance to hear this on a big rig, DO NOT TURN IT DOWN. Stunning.
Leviticus - Burial
2.Leviticus - Burial. With the essence of drum and bass at its very core, this Philly Blunt classic encapsulates perfectly the opposite end of the jungle scale in '94, and a million miles away form Amen carnage, which was the element of swing. Those undulating 808's and those smooth pads and vocals bought something completely new to the table. Big, Bad and Heavy.
DJ Hype - Roll The Beats
3.DJ Hype - Roll The Beats. When we said DJ Hype was absolutely unstoppable during the mid 90s (back in 1993) we meant it. With a heavy reggae underbelly and vocal snippets from the one and only MC GQ, there is nothing not to love about this jungle anthem. Absolutely T for Tremendous.
Dead Dred - Dred Bass
4.Dead Dred - Dred Bass. Sweet Jesus and Holy Mother of God. Just listen to it. Many prefer the remix, but nah. we'll take this one thanx. NO MORE WORDS REQUIRED.
Fire Fox and 4 Tree - Warning
6.Fire Fox and 4 Tree - Warning. Roni Size letting loose like a cannon on this absolute dancefloor smasher. With a wonderfully placed TTD vocal, scattered beats and raggamuffin samples throughout, THIS is what we'd call jungle in its purest form. Jamiaca and the UK blending perfectly across the side of one slab of vinyl. Boom!
Slipmatt - Breakin Free
7.Slipmatt - Breakin Free. Slipmatt had already carved out a huge name for himself during the early part of the decade, but by '94 was working his way towards becoming the rightly titled 'Godfather of Hardcore'. This incredible piece of music just predates that accolade and was one of the last true jungle/hardcore crossovers. Impeccably arranged with those signature snares that ride up and down the octaves, and with Amens that clash and overlap in a frenzy of junglism, this is one of the truly great records of 1994. And that vocal drop................seriously. Outsanding.
DJ Krust - Jazz Note
9.DJ Krust - Jazz Note. Many people chose the flip to this excellent 12", but for us it was always Jazz Note. When you get deep into '94 it is absolutely awash with tear out, jump up energy, but there was also a subtle side which concentrated on the art of the build, tunes which told a story and took you on a journey, and there is no finer example than this. The way that second break creeps slowly in at just .30 - Wow. Exemplary.
Randall & Andy C - Sound Control
8.Randall & Andy C - Sound Control. Ram Records were just eleven releases in when this dropped on an unsuspecting general public. This simply perfect side of wax makes for the perfect sonic explanation of what jungle was (and is). Like Renegade Snares and Breaking Free before it, the use of the sampled drum break as an instrument in itself was a huge influence for the rest of the year and the following year too. How many studio hours must have gone into the drum programming on this is anybody's guess, but it was clearly A LOT. Fantastic.
Cool Hand Flex - Melody Madness
10.Cool Hand Flex - Melody Madness. Wooiiiiii. Come on then. Now this is jungle. Raw, bare bones breakbeats, spine shaking reece, just enough vocal to lift the spirits and a whole heap of energy. Just listen to it. Awesome.
Marvellous Cain - Hitman
11.Marvellous Cain - Hitman. Crikey. The energy bouncing out of this thing is difficult to quantify. So sparse and yet so full of life, this is junglism in its raw essence. The type of track you can dance in levels to. GET MASH UP.
DJ Ron - Dangerous
12.DJ Ron - Dangerous. DJ Ron conducts absolutely brilliant YouTube interviews now with jungle originators under the name A London Someting. Essential viewing without a doubt, but in '94 he was churning out uplifting jungle like this. Has ALL the ingredients. BIG!
DJ Dextrous & Rude Boy Keith - Wicked
13.DJ Dextrous & Rude Boy Keith - Wicked. The musical definition of jungle. Crashing breaks. Reggae basslines. Vocal snippets. Twisted sound bites. To us THIS IS JUNGLE and if you compare it to the intelligent DRUM AND BASS in the subsequent section, there is simply no comparison. THIS is how we make the definition between the two. Maybe you do too? BAD!
DJ Rap - Digable Bass
14.DJ Rap - Digable Bass. Talk about a false sense of security. What starts out as a beautiful piece of downtempo chill out soon smacks you full force in the face with metallic snares. A bit like a digital wet kipper. A proper tear out if ever there was one. Absolutely ridiculous.
Smokey Joe - Special Request
16.Smokey Joe - Special Request. A true heavyweight plate if ever there was one. This induces visions of smoke and lazers with every bar. Full on 4AM junglism. Stone cold classic.
15.Dillinja – Deadly Deep Subs. Coming at your brain box like something from a galaxy far, far away, this was and still is a stand out tune of the year, and quite unlike anything else. Big peoples music.
Marvellous Cain - Dub Plate Style
17.Marvellous Cain - Dub Plate Style. One of the biggest anthems of '94 with no mistake, this thing almost defies description, so we'll let the music do the talking instead. IMMENSE!
Remarc - Sound Murderer
18.Remarc - Sound Murderer. You wot. This is chaos on vinyl. Remarc was at the forefront of drum edits that bordered on the insane and this is no exception. Loose yourself in this madness if you dare. CRACKERS!
Dillinja - You Don't Know (Original Mix)
19.Dillinja - You Don't Know (Original Mix)Dillinja. Probably responsible for killing more Hi-Fi speaker stacks in the 90s than any other producer. Never mind the amount of tinnitus cases he must be responsible for. Seriously though, this dude just knew how to tear out in the jungle. A superior producer and still touring his epic sound system around the world to this day. Stupendous.
DJ Krome & Mr Time – The Licence
20.DJ Krome & Mr Time – The Licence. OOOOFF. With an up tempo reggae bassline warbling its way into your brain and those amens smashing up the sound, this thing is just wild, and a fantastic example of the kind of tear out jungle exploding through 1994 like a sonic grenade.
D.R.S. Featuring Kenny Ken – Everyman
21.D.R.S. Featuring Kenny Ken – Everyman. What an anthem! We loved this from the very first second we heard it, and dare we say it, we had it on vinyl. Two legends clashing head to head on this reggae infused bouncer.
D.O.P.E. – Dope On Plastic (Pt. III)
22.D.O.P.E. – Dope On Plastic (Pt. III). Reworked from the 1993 classic, this belter of a remix borrows many elements from previous releases and is a wikked blend of 93 darkside and contemporary 94 jungle. Good stuff.